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I joined Twitter in March 2008 and, after initially puzzling about what it was for, found it to be an amazing place. I particularly appreciated the focus on text, rather than copypasta pictures that seemed to dominate most of the other social media environments. I loved the requirement to be concise. I enjoyed taking the time to carefully craft a complete thought in 140 characters.

But it was also who else was there. Authors, scientists, journalists, historians. It was like a 24-hour cocktail party — especially when events were happening. It was also where you could call out a corporation and they would immediately respond to head off having your issue go viral.

And I used the Twitter API for a number of projects. I had created a twitter bot that could post Esperanto quotes. I had set up system to capture my tweets and save them at my website. I had a block on the front page of my blog to show my tweets. I frequently embedded tweets to support posts I was writing. I had set up Discord bots to gateway tweets for my publisher.

When I became a published author, my publisher encouraged me to create a separate social-media account for my publishing work, and so I created a new twitter handle and began developing a readership focused primarily on science fiction, fantasy, and publishing.

On Oct 27, the purchase of Twitter was completed. And, unlike some who immediately bailed, I thought I would wait and watch for a bit. But it didn’t take long to perceive what the new owner was going to do. And so, I began looking for alternatives.

I had actually created a Mastodon account in June, 2019: @limako@esperanto.masto.host. I was very much in favor of the idea and the model. (And, actually, I also had created another account for an instance created by a student.) But most of the people I was interested in interacting with just weren’t there. So I’d logged in a handful of times, but had not spent much time there.

On Nov 10, I created a new Mastodon account and began to wean myself away from Twitter. This was during a huge exodus and the entire fediverse was straining to accommodate so many new users. I could see that wandering.shop was probably the best instance for SFF authors, but I couldn’t get an invite code. And, rather than waiting patiently, I decided to create an account at another instance that seemed interesting: mastodon.lol: “A Mastodon server friendly towards anti-fascists, members of the LGBTQ+ community, hackers, and the like.”

It was a rather heady time, with vast numbers of new people trying to figure out this different thing. The guy who ran mastodon.lol was adding capacity like mad to accommodate all the people looking for new accounts. It went from 8000 to nearly 80,000 users in just a few months. He set up a patreon and people contributed money such that, in short order, it was financially self-supporting. But he quickly decided that trying to run such a service on his own wasn’t any fun. He never said exactly what happened — at least not that I ever saw — but he evidently became disillusioned and, by February, had flamed out. He posted a bitter message that the service would be shutting down in a few months. And then he vanished.

By this point, I was easily able to get an invite code for wandering.shop and, on February 9, 2023, I migrated my account to @stevendbrewer@wandering.shop.

For a while, my publisher had encouraged me to continue to post book promotion tweets at Twitter. And I did so until Jun 21, 2023, when the owner of Twitter asserted that “cis” and “cisgender” were slurs and would result in people saying them being suspended. This was a bright line for me and I informed my publisher that I would no longer be posting at Twitter. He indicated that this was fine.

By this point, I had largely finished grieving. I was already no longer visiting Twitter. But it was sad to watch all of the cool services around the Internet that had depended on Twitter gradually vanish. The block on my blog quite working. The bots for my publisher quit working.

Every so often, I would see another high profile defection as people gave up and grieved what they had lost. I still feel some pain, like a phantom limb. I like the new community at Mastodon. But it’s not the same.

It’s still astonishing to me how many people are still ostensibly there.

Even more astonishing to me are the people who, after watching their whole online world purchased and set alight to satisfy the ego of an unbalanced lunatic, are migrating to other commercial properties, like Bluesky or Threads. Did you learn nothing? Sigh…

The Third Time’s the Charm Support Graphic

In my previous post about publishing with Water Dragon I mentioned the “support, encouragement, and advice” that authors get with publicity. About a week before the release of the story, I got a link to download some graphics. The folder included the electronic, print, and trade covers plus versions of the cover art carefully composed and resized for my desktop (as “wallpaper”); for my website; and for header graphics for Twitter, Facebook, and Instagram.

Creating these kinds of graphics are not necessarily difficult for me. I created my own covers for my self-published books. (And I’m rather proud of the covers I created.) But that stuff all takes time and, without access to the the original files, it wouldn’t be feasible to create re-composed versions at all. But, in the end, it’s just one fewer thing I need to do myself: I can just use them and spend more time publicizing. (Or writing!)

In point of fact, authors frequently don’t get consulted about their cover art at all. Nancy Wood wrote about how discouraging it was to get a horrible cover when working with a different publisher and how the magic of a compelling cover can make all the difference. Look at that cover! I mean… just look at it.

For my cover, with Water Dragon and the amazing artist Niki Lenhart, we went through about three iterations. The first design was similar to the final design, but I had some suggestions about the nature of the ship that was presented. In the second, I noticed a few additional details to correct. But I was also presented with an alternative design to consider. I liked it — and it was compelling in a certain way — but jointly, with the editor, we decided that the original design was more eye-catching. Then I got one last chance to see it before we pulled the trigger and approved it.

In addition, authors also receive postcards and business cards to support their publicity efforts. The postcards can be used to provide a “signed” version of the digital edition. But, for a story that only sells for $0.99, sending a postcard for $0.40 postage doesn’t make much economic sense. And business cards are more useful during times when people are actually meeting face to face. (I guess I could hold one up to my Zoom camera…)

In addition to material support, Water Dragon and the supportive community of writers working with them have had a wealth of ideas and advice for how to get the word out about one’s writing. It’s provided almost a template for how to get set up to publicize effectively — and to share information about events that might provide opportunities to offer a reading or get books in front of people.

I don’t have (m)any illusions that my first short story will catch fire and take over the internet. But I have to admit that as a debut, this experience has been amazing: My story has been published on its own, with its own cover and identity, rather than part of a collection. It’s been a great trial run for writing a longer piece of fiction (and I have several in the pipeline). And Ive learned a huge amount about the process and established a foundation (blog, twitter feed, website, etc.) to support my writing going forward. Thanks, Water Dragon!

(PS: You too can submit to Dragon Gems!)